FLM - Film Course Descriptions

FLM 222 Critical Television Viewing

Surveys contemporary methods of visual analysis. Using a model of criticism based on Aristotle's Rhetoric, four general areas are examined: programming genres, cultural significance of content, social viewing habits, and visual literacy. This course helps the individual development active viewing skills that can be used by media producers, critics, or consumers.

3

Cross Listed Courses

COM 222

FLM 242 Radio/Television/Film Performance

Focuses on the development of performance skills for the electronic media. Students explore various broadcast and non-broadcast performance situations (radio and television commercials, news, interviews), analyze the techniques used, and then practice those techniques. Class work includes studio performance assignments with regular evaluations. Lab fee.
3

Cross Listed Courses

Cross listed with COM 242

FLM 325 Cinema Studies

Traces the history of cinema from 1895 to the present in the U.S., Europe, and Asia, focusing on significant directors, movements, influences, films and terminology. Special attention is paid to the tension between film as art and/or as commerce. The course helps students identify important moral and philosophical issues raised by serious as well as entertainment films. It will also help students develop an appreciation of the artistry involved in film production. This course includes weekly screenings of significant films. (2 credits lecture; 1 credit lab)

3

Cross Listed Courses

COM 325

FLM 326 French Cinema

Introduces some of the major themes, techniques, movements, and directors of this most important art form of the 20th century. The course teaches the critical skills required for making informed judgments on the artistic merits and deficiencies of cinematic works. Open to all students, with lectures, discussions and readings in English.

3

Cross Listed Courses

FRN 326

FLM 328 Film Analysis and Theory

Surveys the major theories and tools utilized in the analysis of narrative, experimental, and documentary cinema, including formal analysis, semiotics, phenomenology, genre studies, and related approaches. Includes screenings of significant films and application of analytical techniques.

3

Cross Listed Courses

COM 328

FLM 329 Cinema of India

Covers the historical development of the world's largest film industry from 1896 to the present, focusing on significant directors, movements, films, terminology, and the influence of socio-cultural factors. The course highlights the tension between popular (musical) and artistic (non-musical) film. It also assists students in developing a deeper understanding of non-Western modes of cinematic storytelling and culture. Includes weekly screenings. All lectures, readings, and discussions are in English. (2 credits lecture; 1 credit lab)

3

Cross Listed Courses

COM 329

FLM 331 Mysteries in Film

Compares and contrasts filmic and literary versions of major mystery stories written by various authors, focusing on how they approach a popular fiction genre from various perspectives. Representative works, critical analysis and biographical information will all be included in the course. Other mystery genre short stories and films will be compared and contrasted. (2 credits lecture; 1 credit lab)

3

Cross Listed Courses

COM 331

FLM 332 Science Fiction Cinema

Covers the historical development of one of the most innovative and influential genres of world cinema-science fiction-from 1902 to present, focusing on significant directors, movements, films, terminology, and the influence of socio-cultural factors. The course assists students in developing a deeper understanding of how sci-fi cinema has been used to forecast and promote social change, as well as warn about negative social consequences. While the best of world sci-fi cinema will be screened, all lectures, readings, and discussions are in English. 2 hours lecture; 2 hours lab

3

Cross Listed Courses

COM 332

FLM 338 Films of Alfred Hitchcock

This course offers an intensive study of representative films of one of the premier film directors of the 20th century, "Master of Suspense" Alfred Hitchcock. Students will learn to identify Hitchcock's characteristic style and themes, read major film criticism on Hitchcock, and learn how to write about film in composing their own criticism. Particular attention will be given to the Cahiers du Cine'ma school of Hitchcock criticism, which claims a special place for Hitchcock's Catholic sensibilities, notably in terms of the doctrine of Original Sin, and the related cinematic concept of "transference of guilt."  

3

Cross Listed Courses

ENG 338

FLM 342 Video Production I

Introduces studio and remote video production techniques. Cameras, audio and visual equipment, directing, scriptwriting, and graphics are also included. Work is completed through group and individual projects. Lab fee.
3

Cross Listed Courses

COM 342

FLM 343 Video Editing

Focuses on the theory and processes of digital video editing for broadcast, professional, and multimedia productions. Both aesthetic and technical principles are applied through small group and individual projects. Lab fee.

3

Cross Listed Courses

COM 343

FLM 345 Independent Digital Filmmaking

Focuses on the skills needed to create short independent digital film including budgeting, scripting, location scouting, rehearsing, lighting, filming, editing, scoring, mixing, and marketing. Students will explore the relationship between cinema, culture, and society by producing a short film that makes an important statement about our world today. Students will also explore opportunities to market their films via digital technologies, contests, and the like.

3

Cross Listed Courses

COM 345

FLM 412 Film and Western Culture

Is designed to survey the aesthetic, historical, and theoretical aspects of film studies, as a means of appreciating the role of film in modern Western culture, and especially to prepare the student to engage effectively, through this unique medium, historical periods, events, and persons worthy of consideration in the history and culture of the West in general, and Catholic Christian culture in particular. This effort will be accomplished by introducing the student to the history and basic techniques of film making, and by critically evaluating the subject matter of key films in both their historical context and their topical perspective. Through the judicious use of film, the integration of faith, reason, and culture will be enhanced as the student engages, in a modern and distinctive liberal arts manner, the best of Western and Christian culture.

3

Cross Listed Courses

HCC 412/HST 412

FLM 444 Advanced Digital Media Production

Provides practical experience in producing a major digital project from pre-production planning through post-production. It is designed for students seeking to review, apply, and refine production skills at an advanced level. Individual and group activities are included. Lab fee.

3

Cross Listed Courses

COM 444

FLM 484 Creating Motion Graphics and Special Effects

Covers processes and considerations for creating animated interactive multimedia. Students utilize industry-standard applications as they explore post-production techniques, visual effects, compression, convergence, and cross-platform formatting.

3

Prerequisites

COM 243 Broadcast and Electronic Media and COM 281 Graphic Design, or permission of the instructor

Cross Listed Courses

COM 484